banner of Tapes 1
IMP logo
 

Frontpage
Featured Article
Features Archive
Browse IMP Profiles

Join IMP!

Featured Mixtaper

picture of Karol

Karol

Featured Mixtape

picture of mixtape named

april mix 2007

1 Ruby
2 Flathead
3 Golden Skans
4 Fat Children
5 Brand New Key
6 All My Heroes Are Weirdos
7 Afternoon Park
8 On Call
9 Weekends and Bleak Days (Hot Summer)
10 Remember the Orphans
11 I Am the Teacher
12 I Found Out
13 Gimme Some Motivation
14 The Saddest Video Game in the World
15 Be My Friend
16 No More Surprises
17 You Could Easily Have Me
18 Lay Down Your Weapons
19 Wound Up
20 Homo Sapiens
21 Keynote Speaker

Featured Article

picture for article On Holding Hands at Shows: Girls at Bimbo's in SF

On Holding Hands at Shows: Girls at Bimbo's in SF

Because the personal narrative at the heart of most Girls songs is so twisted and inaccessible -- Owens grew up in a cult and escaped into drugs and punk rock as a teenager -- it's amazing that this music is so perfect for hand-holding. Christopher Owens is no James Taylor, of course, but there's no denying the easygoing, almost romantic side of his oeuvre.

-- Ryan Mixtape

picture for article Pitchfork: Brand vs. Band

Pitchfork: Brand vs. Band

That's why this year's plan is both risky and exciting from a business perspective. All other things held constant, Pitchfork could easily raise prices, since it has clearly been selling at a price lower than the point at which the demand and supply curves meet. However, unlike Coachella and Bonnaroo, which rely primarily on their lineups and pricing to drive brand value, the Pitchfork Music Festival's brand also gains tremendous value from Pitchfork's core offerings. So the levers it can pull are more varied. Essentially, Pitchfork has the unique privilege of choosing to hold price, but nothing else, constant.

-- Ryan Mixtape

picture for article The Creators Project in San Francisco, March 17

The Creators Project in San Francisco, March 17

A really interesting effect of the Creators Project format is that the broad focus on technology and art (the music pavilion accounted for only about 25 percent of the event's total footprint) freed the musicians to focus on performance rather than spectacle. After all, it’s nearly impossible to compete with the building-size interactive light-and-sound rendering of Origin by United Visual Artists. The Creators Project will hopefully continue to add smaller cities like San Francisco to its world tour of art, technology and innovation.

-- Ryan Mixtape